Moreover, you may also get confused as to when to transition. Of course, you will feel at a loss if you don’t know your head voice and your chest voice. Not yet trained in singing, some people will feel uneasy when transitioning from one voice to another. To master the art of transitioning from the chest register, for example, to the head voice, you need to learn some useful techniques: Learn When to Transition Knowledge is power, and the more you know about the different voice registers, the more familiar you will be with them. Important Techniques for Switching from One Register to Another However, if you are not trained, you might feel this so-called tug-of-war with one register trying to dominate. As a trained singer, you can make this transition as smooth as possible.
Of course, there should be no tug-of-war in areas where you would transition from one register to another. Hence, it will help to mix these three resonance locations while letting one predominate. 4) The Voice Continuumįrom the above discussion of voice registers, you will understand that these three registers are not exclusive but form a continuum. You will know if you are using your chest voice by placing your hand on your chest to feel its vibrations. 3) Chest VoiceĬhest voice lets you feel the vibrations more around your sternum and lower neck. So, you feel vibrations in your hard palate, though this doesn’t imply that the other structures are not sympathetically vibrating. Middle Voice resonates around your face’s lower half, including your upper neck and chin. So, when you are using your head voice, you would feel the vibrations around your face’s upper half because your sinuses are the predominant resonators in this case. The head voice can be your speaking or singing, where your voice primarily resonates in the head. So, when speaking of chest voice, head voice, and middle voice, you are just referring to the locations where you resonate when you sing. However, you can never manipulate all these structures, and the only structures you can willfully control are the mouth, the throat, and your diaphragm. It will help to note that these structures also can go as high as your head to as low as your ribcage. Some of these structures where sound resonates include the larynx, chest, pharynx, nasal cavity, oral cavity, and sinuses. The human voice likewise is molded by the shape and size of the structures surrounding the vocal tract. Of course, vocal resonance is the coloring or intensifying of sound after it leaves the vocal cords. The term “ vocal registers” also does not refer to distinct registers, but you predominantly resonate with your voice. The truth is-there are four vocal registers and that a continuum exists among these four voice registers. This misleading belief makes it difficult for people to manipulate their voices.
The belief in only two registers (chest and head) is misleading and implies that these two registers are exclusive of each other and that you need to switch off the chest voice to transition to the head register. More often, singers only use one vocal register, i.e., the modal or chest register. However, according to speech pathologists, this belief is far from complete because there are four vocal registers. Some so-called experts believe that only two vocal registers exist: the head and the chest registers. Conclusion Understanding the Different Types of Voice Registers
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